Life drawing- struggled at first but I feel like I'm getting the hang of it feel like I'm enjoying it and I want to develop further. I need to work on the features of the face and I need to work on getting everything in the right proportion.
Friday, 20 November 2015
Wednesday, 18 November 2015
Tuesday, 17 November 2015
being in the box
im in my own little world
cracks of light shining through
privacy
maybe too much privacy
personality shines through
hope
trapped
bravery
blocked
shut off
peaceful
surrounded by mirrors- all there is to look at is yourself- everything reflects on you
fixed with your own thoughts and feelings
can be stubborn but free
trapped in your own mind
can only hear past the box don't know whats going off outside
all to see is what u can make out through the cracks
sound-rhythms, echoes
like a chick hatching from an egg
scratches, scraps
no one knows whats going on inside the box, mystery
protected
vulnerable
innocent
a secret to hide
shame
crumbling box, reflects on emotions
exploratory- kids find so much fun with a piece of cardboard why?
torture
restricted
is this by choice or not
Dens, rockets, houses
pretend your in a different reality
a way to escape
characters
games
from another world
could be used as a good prank- humour
the unexpected
whats on the outside can be different to whats on the inside
different size of boxes
uncomfortable
issues with expression
MY DEPTH IDEA BEHIND MY ALTERNATIVE MISS WORLD PROJECT
cracks of light shining through
privacy
maybe too much privacy
personality shines through
hope
trapped
bravery
blocked
shut off
peaceful
surrounded by mirrors- all there is to look at is yourself- everything reflects on you
fixed with your own thoughts and feelings
can be stubborn but free
trapped in your own mind
can only hear past the box don't know whats going off outside
all to see is what u can make out through the cracks
sound-rhythms, echoes
like a chick hatching from an egg
scratches, scraps
no one knows whats going on inside the box, mystery
protected
vulnerable
innocent
a secret to hide
shame
crumbling box, reflects on emotions
exploratory- kids find so much fun with a piece of cardboard why?
torture
restricted
is this by choice or not
Dens, rockets, houses
pretend your in a different reality
a way to escape
characters
games
from another world
could be used as a good prank- humour
the unexpected
whats on the outside can be different to whats on the inside
different size of boxes
uncomfortable
issues with expression
MY DEPTH IDEA BEHIND MY ALTERNATIVE MISS WORLD PROJECT
Friday, 13 November 2015
mind map
automatic actions
of the norm
surrealism
assemblages
deformed
making sense out of no sense
consequences
feedback
judgment
final outcome
automatic drawings
of the norm
surrealism
assemblages
deformed
making sense out of no sense
consequences
feedback
judgment
final outcome
automatic drawings
elsa von freytag-loringhoven
Early Life
She started of studying art in Duchau, near Munich, before marrying in 1901, Berlin based architect, August Endell at which time she became Else Endell. She had and open relationship with her husband, and in 1902 she became involved romantically with a friend of Endell's the minor poet and translator Felix Paul Grove (who later became the Canadian author Frederick Phillip Grove), And all three went to Palermo in late January 1903. They then moved to various places, including Wollerau, Switzerland and Paris-Plague France. In 1906 She and Grove returned to Berlin, where they were married on August 22 1907. In July 1910, she followed Grove to North America, where they operated a small farm in Sparta Kentucky, not far from Cincinnati, Ohio. Grove eventually left in 1911, and went west to Bonanza farm near Fargo, North Dakota, and came to Manitoba in 1912. She started modelling for artists in Cincinnati, and made her way east West Virginia and Philadelphia, Before she married her third husband, the German Baron Leopold Von Freytag- Loringhoven in November 1913 in New York. There she became known as the Dadaist Baroness Else Von Freytag- Loringhoven.
Poetry
She was given a platform for her poetry in The Little Review, Where starting in 1918. Her work was featured alongside chapters of James Joyce's Ulysses. Jane Heap considered the Baroness "The first American Dada" She was an early Female pioneer of sound poetry. But also made creative use of the Dash, While many of her portmanteau compositions, such as Kissambushed and Phalluspistol, miniature poems. Most her poems remained unpublished until the publications of body Sweats.
Collage, Performance and Assemblages
She started of studying art in Duchau, near Munich, before marrying in 1901, Berlin based architect, August Endell at which time she became Else Endell. She had and open relationship with her husband, and in 1902 she became involved romantically with a friend of Endell's the minor poet and translator Felix Paul Grove (who later became the Canadian author Frederick Phillip Grove), And all three went to Palermo in late January 1903. They then moved to various places, including Wollerau, Switzerland and Paris-Plague France. In 1906 She and Grove returned to Berlin, where they were married on August 22 1907. In July 1910, she followed Grove to North America, where they operated a small farm in Sparta Kentucky, not far from Cincinnati, Ohio. Grove eventually left in 1911, and went west to Bonanza farm near Fargo, North Dakota, and came to Manitoba in 1912. She started modelling for artists in Cincinnati, and made her way east West Virginia and Philadelphia, Before she married her third husband, the German Baron Leopold Von Freytag- Loringhoven in November 1913 in New York. There she became known as the Dadaist Baroness Else Von Freytag- Loringhoven.
Poetry
She was given a platform for her poetry in The Little Review, Where starting in 1918. Her work was featured alongside chapters of James Joyce's Ulysses. Jane Heap considered the Baroness "The first American Dada" She was an early Female pioneer of sound poetry. But also made creative use of the Dash, While many of her portmanteau compositions, such as Kissambushed and Phalluspistol, miniature poems. Most her poems remained unpublished until the publications of body Sweats.
Collage, Performance and Assemblages
Tuesday, 10 November 2015
non sequitur
Non Sequitur
an inference that does not follow from the premises; specifically : a fallacy resulting from a simple conversion of a universal affirmative proposition or from the transposition of a condition and its consequence
feminist manifesto
Mina Loy
Mina loy worked as a poet and visual artist in Paris, Florence, and New York City, where he beauty and outlandish behaviour shone at the centre of several avant-grade circles. She made colourful appearances of biographies of many other writers and artists. Including Marcel Duchamp, Djuna Barnes, James Joyce Marianne Moore and Gertrude Stein.
She was born in London December 27th, 1882. She attended a conservative art school and was influenced early on by impressionism. She achieved some success as a painter. Her paintings were displayed in the prestigious Salon d'Automne show in Paris 1905. She moved to the united states in 1916. Although her reputation preceded her, while hailed representing "The New Women"and the last word in modern verse, Loys poetry disturbed a few of her more conservative contemporaries. Marianne Moore found herself uneasy in Loys company. Jon Collier cited Loys verse as an example of the need for "objective Standards". Still she had many admirers like Marcel Duchamp, William Carlos Williams, and the members of the New York Dada group, including the Poet/Boxer Arthur Cravan home she married in 1918.
Being an artist Mina Loy was also labelled a Futurist, Dadaist, Surrealist, Feminist, Conceptualist, Modernist, Post-Modernist, Experimenting with media in her artwork she moved from oil to ink by world War one then lighting fixtures in the lat 1920s, and finally to sculptures featuring items collected from the streets and garbage cans of Manhattan. She hailed herself with her visual art more than her writing claiming that at the end of her life that she"never was a Poet".
She was a, poet, playwright, novelist,futurist, actress, Christian scientist, feminist, model, nurse, designer of lamps, and bohemian. She was one of the last of the first generation modernists to achieve posthumous recognition.
surrealist manifesto
symbolist manifesto
Mina loy worked as a poet and visual artist in Paris, Florence, and New York City, where he beauty and outlandish behaviour shone at the centre of several avant-grade circles. She made colourful appearances of biographies of many other writers and artists. Including Marcel Duchamp, Djuna Barnes, James Joyce Marianne Moore and Gertrude Stein.
She was born in London December 27th, 1882. She attended a conservative art school and was influenced early on by impressionism. She achieved some success as a painter. Her paintings were displayed in the prestigious Salon d'Automne show in Paris 1905. She moved to the united states in 1916. Although her reputation preceded her, while hailed representing "The New Women"and the last word in modern verse, Loys poetry disturbed a few of her more conservative contemporaries. Marianne Moore found herself uneasy in Loys company. Jon Collier cited Loys verse as an example of the need for "objective Standards". Still she had many admirers like Marcel Duchamp, William Carlos Williams, and the members of the New York Dada group, including the Poet/Boxer Arthur Cravan home she married in 1918.
Being an artist Mina Loy was also labelled a Futurist, Dadaist, Surrealist, Feminist, Conceptualist, Modernist, Post-Modernist, Experimenting with media in her artwork she moved from oil to ink by world War one then lighting fixtures in the lat 1920s, and finally to sculptures featuring items collected from the streets and garbage cans of Manhattan. She hailed herself with her visual art more than her writing claiming that at the end of her life that she"never was a Poet".
She was a, poet, playwright, novelist,futurist, actress, Christian scientist, feminist, model, nurse, designer of lamps, and bohemian. She was one of the last of the first generation modernists to achieve posthumous recognition.
Carolyn Burke
surrealist manifesto
symbolist manifesto
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