Wednesday, 15 June 2016
Katie Lewis
She devises elaborate methods of recording data about herself, mean sensations felt by various body parts or other aspects of life minutiae plotted over time using little more than pins, thread and pencil marked dates. The artworks themselves are abstracted from their actual purpose, and only the organic forms, representing the accumulation data over timer left. She describes her process as being extremely rigid, involving the creation of strict rules on how data is collected, documented, and eventually transformed into these pseudo- scientific installations. The work is often organised into grid like charts and diagrams mimicking science and medicine representations of the body as a specimen, visually displayed for the purpose of gaining knowledge.
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